(p. A15) Mr. Jameson clearly lays out the qualities that geeks appreciate in their art: realism bolstered by a deep internal history and the sort of “world-building” exemplified by Tolkien. But in Hollywood “Star Wars” changed the game thanks to its verisimilitude, “which immediately and thoroughly convinces viewers that they are watching humans and aliens skip from planet to planet in a vast, crowded other galaxy with its own detailed history.” Similarly, the biological background of the “Alien” series includes Xenomorphs “whose intricate life cycle can be described from beginning to end in grisly detail.” Books like “The Star Trek Encyclopedia,” in which the show’s designers document “all the alien planets and species that they’d invented” and present starship engineering schematics, are quintessential works of geek culture.
Detail is important to geeks, the author suggests, because they want without “any boundaries, any limits. . . . They don’t want the artwork to ever end.” Whether it’s playing a tabletop game filled with lore about previously unknown characters from the “Star Wars” galaxy or reading a “textbook” to study the fantastic beasts of the “Harry Potter” world, geeks want to believe–at least for a bit. As Mr. Jameson says, “geeks have long thought of artworks as places where one can hang out.” That’s one reason why single films have given way to trilogies and why characters have cross-populated to create Marvel’s seemingly endless “cinematic universe.”
For the full review, see:
Brian P. Kelly. “BOOKSHELF; The Geeks Strike Back.” The Wall Street Journal (Friday, June 8, 2018): A15.
(Note: ellipsis in original.)
(Note: the online version of the review has the date June 7, 2018, and has the title “BOOKSHELF; ‘I Find Your Lack of Faith Disturbing’ Review: The Geeks Strike Back; The “Star Wars” franchise and Marvel’s superhero films reign supreme in today’s Hollywood. How did that happen?”)
The book under review, is:
Jameson, A. D. I Find Your Lack of Faith Disturbing: Star Wars and the Triumph of Geek Culture. New York: Farrar, Straus and Giroux, 2018.